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I am living in a dream when I wake
You are my bright shining star you guide the way . .
Wake. The evocative one-word title speaks volumes about what’s happening on Nora Jane Struthers’ latest album. For the thirty-year old singer-songwriter, it’s “wake” in several senses of the word. There’s the trail of a life and career behind her, the slipstream of lessons learned. There’s the quiet observance and letting go of who she has been up until now as both an artist and a person. And most of all, there’s the stirring of something new, an opening of a door and wide-eyed rush forward into a place of discovery and dizzying possibilities. And it’s all set to a soundtrack that resonates with the warm uplift of the first day of spring.
In short, Nora Jane Struthers has fallen in love.
“The whole album is about strength through vulnerability,” she says. “That’s what I’ve come to as an artist, and a human being, and I think it’s the most powerful force in my life. I feel so much more like my childhood self now than I did over the past five years, than I have in my whole adult life. In my twenties, I had a tendency to compartmentalize pieces of my musical identity. For instance, how could I reconcile my love of both bluegrass and Pearl Jam? I did the same thing in my personal life, where I had this sort of idea of who I wanted to be, and ignored all these other pieces of myself, because I didn’t think they fit into some imagined big picture.
“But this experience of falling in love blew that whole thing apart,” she continues. “Looking back, my previous two albums feel so safe. They had literary merit, contributing to the traditional canon in a way that I was proud of. But it all felt masked by these narratives that were not directly my own. These new songs are autobiographical. I’m looking inward, allowing that to be what my art is. To take away the narrative safety net and then the sonic safety net and just give myself over to my own story and my own feelings, was scary but exhilarating.”
That exhilaration courses through the whole album, with an unmoored feeling that reminds us that the gravitational direction of finding love is as much about rising as it is falling. Opener “The Same Road” percolates along with percussive banjo and side-stick then lifts into a panoramic chorus, while “Dreamin,’” soaked in classic Bakersfield good vibes, threads its infectious charm through with chugging train rhythms, twangy guitar and pedal steel. “When I Wake” is pure harmony bliss, with Struthers and Joe Overton echoing early ’70s Gram & Emmylou. “The Wire” shimmers with poetic reflection (“The truth is I didn’t see the wire until I saw the bird”) and the radio-ready “Lovin’ You” pulls off the three-and-a-half minute miracle, with Struthers’ warm, engaging alto finding fresh imagery like, “If I was a crocus lovin’ you would be the spring / If I was an eagle lovin’ you would be my wings . .” Other highlights include the fiery slide-guitar powered “I Ain’t Holdin’ Back,” the call-and-response, southern-fried “Don’t Care” and the hushed, split-rail tenderness of “The South.” The whole record, a 53-minute celebration of that heart-to-heart, flesh-to-flesh connection that reminds us we’re alive, also feels like a major artistic arrival.