Neal Francis wsg/ James Neary and His Guitar

 
9:00 pm

June 7, 2019

Neal Francis makes his first appearance on The Livery stage, bringing Chicago blues, and NOLA rhythms, all rolled into a revivalist powerhouse performance! Special guest: James Neary and His Guitar will open this incredible evening with a solo set. Mark your calendars for Friday, June 7th!

8:30 doors| 9pm show
$7 advance | $10 at door
21+ (under 21 with parent/legal guardian)
Tickets: https://bit.ly/2TJRepH

“I just wanted to be honest about everything, from my musical influences to my story,” muses Neal Francis. After years of dishonest living — consumed by drugs, alcohol, and addiction — such sincerity is jarring from the 30-year-old Chicago-based musician. Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms and Chicago blues. His music evokes a bygone era of R&B’s heyday while simultaneously forging a new path on the musical landscape. Ohio-based Karma Chief Records (a subsidiary of rising soul label Colemine Records) will release two songs, “These Are The Days” and “Changes, Pt. 1,” in early 2019 with the full LP to follow in Fall 2019.

There is a deep connection between Francis’s childhood — his obsession with boogie woogie piano, his father’s gift of a dusty Dr. John LP — and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: “It’s the life I’ve lived so far.”

And what a life it’s been. Born Neal Francis O’Hara, the piano prodigy found himself touring Europe by the age of 18 with Muddy Waters’ son and backing up other prominent blues artists coast-to-coast. In 2012, Francis joined popular instrumental funk band The Heard. With Francis at the creative helm, The Heard transformed into a national act, touring with boogaloo progenitors The New Mastersounds and chart toppers The Revivalists and appearing at Jazz Fest and Bear Creek. As The Heard’s star rose, however, Francis sunk deeper into addiction. Once a promising sideman, by 2015 he had been fired from his band, evicted from his apartment, and was perilously close to self-destruction. “When you get close to death like that you can feel it,” Francis recalls. An alcohol-induced seizure that year led to a broken femur, dislocated arm, and, finally, the realization that he needed to get clean.

The journey from a hospital bed to launching his solo career was neither predictable nor straightforward. There were musical fits and starts, relapses, and broken relationships. Yet the overwhelming passion driving Francis in this second act has been an overabundance of creative energy. “Drinking held my music in a half-cocked slingshot. I was always so consumed by drugs and alcohol that I didn’t have the time, money, or creative energy to do it. Sobriety let it loose.” Determined to realize the songs swirling in his head, Francis assembled a crack team of musicians, calling on bassist Mike Starr (The Heard) and drummer PJ Howard (The Revivalists, The Heard). He linked up with producer and analog-obsessive Sergio Rios (Orgone, Cee Lo Green, Alicia Keys) and self-funded a trip to Killion Sound in Los Angeles to record the initial batch of material. “I learned to trust my instincts in that room,” says Francis. Buoyed by classic horn arrangements and Rios’ fierce guitar work, the resulting tracks illuminate a lifetime spent studying the masters of soul music.

From the RMI electra-piano riff that kicks off “She’s A Winner” to the screaming organ swells of “This Time,” Francis and company let it all hang out. This is fun music, dance music. Yet verse after verse and chorus after chorus, Francis wrestles with his past in a straightforward manner: “It’s 5 o’clock in the morning, but I’m not home/ I’m surrounded by people, but I’m really alone.” Like Toussaint and Russell before him he’s married the upbeat rhythms of New Orleans R&B with the lyrical approach of a confessional singer/songwriter. The refrain on “This Time” serves as a foxhole prayer for a better future: “Let me get it this time/I won’t let you down/Let me get it this time/I won’t fool around.”

2018 was a busy year. In February Francis finished recording basic tracks for the yet-to-be named debut album in Los Angeles and spent the following months doing overdubs in Chicago with engineer Mike Novak (who also recorded demos for the project). After playing his first show in November, Francis was signed by Paradigm Talent Agency. 2019 brought a North American tour supporting The Cat Empire as well as radio play on KEXP, KCRW, and BBC Radio 6. Francis continues to tour relentlessly to promote his own music. “I’m doing this to fulfill a drive within myself, but also to pay tribute to the gifts I’ve been given. And it comes from a place of immense gratitude. I’ve been given so much in my life, especially in the last two years, that this feels like a bonus.”

JAMES NEARY and HIS GUITAR:

James was the winner of the first ever Acorn Theater Singer-Songwriter Contest in 2013 with his original piece ‘Cutting Teeth’. James also won the 2016 Hoosier Star contest with a charismatic rendition of Queen’s ‘Somebody To Love’. Throughout his career, James has opened for the likes of Billy Strings, Katie Todd, Matt Schofield, Miles Nielsen and the Rusted Hearts, and has even joined British rock superstars Muse on-stage for a performance of their hit ‘Plug In Baby’. After years of performing solo, James has gathered some of the finest musicians in the area in an effort to create and play music in new, raw, powerful ways. Theirs is a live show that is memorable and emotionally provocative, powerful and honest, and impossible to forget.